The Last Stitch
Read Chapter 28: Aftermath: The Arrest
The weeks that followed had a strange, suspended quality, like the city itself was holding its breath. Fouquier-Tinville’s trial was swift—a formality, really, given the evidence Lise had so carefully stitched together. The same mob that had once cheered his condemnations now packed the galleries to watch him squirm, and his protests of revolutionary purity fell on deaf ears.
Lise did not attend the execution. She had sewn enough shrouds for a lifetime.
Instead, she stood at the window of the cramped apartment above the print shop, watching the rain wash the blood from the cobblestones below. Pierre sat at the table behind her, his hands wrapped around a cup of cold broth he hadn’t touched. The space between them was heavy with words not yet spoken.
“They’ve arrested Mercier,” Pierre said quietly, breaking the silence. “And the clerk, Bouchard. Anyone who signed Fouquier’s orders.”
Lise nodded, though she didn’t turn from the window. “Good.”
“Lise.” Her father’s voice was careful. “You’ve done what you set out to do. The Tribunal is purged. The lists are public. You could—”
“I could what?” She finally turned, and the look in her eyes made him stop. “Go back to sewing wedding dresses? Pretend I never held a needle against a condemned man’s collar?”
Pierre’s jaw tightened. “You could live.”
“So could Jean-Luc.” The words came out sharper than she intended. She pressed her palm against the cold glass. “If he’s even still alive.”
She had searched. For three days after the chaos, she had combed the city—the abandoned print shop where she’d left him, the safe houses his network had used, even the British embassy’s usual haunts. Nothing. The surgeon she’d finally secured had arrived at the print shop to find only bloodstained rags and an empty cot. The window at the back had been forced open, leading to an alley where a horse had been tethered.
“He knows how to disappear,” Pierre said gently. “It’s what he does.”
“It’s what he did to us.” Lise ran a hand through her hair, tugging at the roots. “He used you. He used me. And then he—he took a bullet meant for me, and now he’s gone, and I don’t know whether to thank him or curse him.”
Pierre was quiet for a long moment. “Both,” he finally said. “You can do both. I do.”
A knock at the door made them both start. Lise crossed the room, her hand instinctively reaching for the small knife she kept tucked in her sleeve—a habit she’d developed in the months of dressing the condemned, when a grieving family might blame the seamstress for the executioner’s work.
But when she opened the door, there was no threat. Only a thin boy, no older than twelve, clutching a folded piece of paper. His eyes darted up and down the hallway.
“Mademoiselle Marchand?” he whispered.
“Who’s asking?”
The boy thrust the paper into her hands. “A man paid me three livres to deliver this. Said you’d know who it was from.” And then he was gone, scurrying down the stairs before she could ask another question.
Lise closed the door and unfolded the paper.
The handwriting was hasty but familiar—she recognized it from the notes they’d passed in the records room, from the coded messages he’d coached her through. The paper was creased, stained with something dark at one corner that might have been blood.
*Lise—*
*If you’re reading this, I’m still breathing. If you’re not reading this, I’ve left instructions for someone else to deliver it. Either way, you should know the truth, and I should have told you long before I did.*
*My name is not Jean-Luc. It’s William Ashworth, and I was sent to Paris three years ago with a simple mission: find the men profiting from the Terror and expose them. Your father was a means to an end. You were meant to be as well.*
*I failed at that.*
*I cannot apologize for what I did to protect my country—Britain has its own battles, and I believe in what I serve. But I can apologize for every lie I told you. Every time I watched you carry another garment to another prisoner and called it “justice.” Every time I let you believe I was something I was not.*
*I meant what I said when I took that bullet. I would do it again. I would do it a hundred times over. You are the only thing in Paris that ever felt real to me.*
*Do not look for me. The network has recalled me, and I cannot refuse without endangering you. But know that somewhere across the channel, there is a man who carries the memory of a seamstress who sewed rebellion into every stitch.*
*Tell your father I’m sorry. Tell him I meant to protect him, even if I failed.*
*Be happy, Lise. That’s my only request.*
*Your servant, in all things,*
*J.*
Lise read the letter twice. Then a third time, her fingers tracing the words as if she could find a hidden meaning between the lines.
“What does it say?” Pierre asked from behind her.
She turned, holding the paper loosely. “He’s gone. England, probably. His real name is William Ashworth.”
Pierre’s expression flickered—something between anger and resignation. “And the bullet he took? The confession?”
“Real.” Lise’s voice cracked. “He says it was real. He says he meant it.” She laughed, but there was no joy in it. “Does that make it better? That he lied to me for months but his feelings were genuine?”
Pierre rose slowly, crossing the room to stand before her. He didn’t reach for her, but his presence steadied her. “I spent years lying to myself,” he said. “Telling myself I was protecting you by staying away. Telling myself that the work mattered more than the daughter I left behind.” His voice dropped. “It doesn’t matter whether his feelings were real, Lise. What matters is what you do with what he gave you.”
She looked up at him. “What did he give me?”
“A choice.” Pierre’s eyes were wet. “The same choice I had, once. To run from the life you’ve built, or to stay and build it anew.”
Lise folded the letter carefully and tucked it into the bodice of her dress, against her heart. “He asked me to be happy.”
“Can you be?”
She looked around the small apartment—the bare walls, the wooden table, the stacks of papers that had once been evidence and now were just paper. Outside, the rain had stopped, and a pale sun was breaking through the clouds. Somewhere in the distance, she could hear the sounds of the city returning to life—carts rattling over stones, vendors calling out prices, children laughing.
“I don’t know,” she admitted. “But I think I can try.”
The days passed. The sun returned, and with it, the slow work of rebuilding. Lise found herself walking the familiar streets of her old neighborhood, past the shop where she’d once sewn ribbons into brides’ gowns. The windows were shuttered, the sign removed, but the building stood intact. A new owner, she heard, planned to open a bakery.
She stopped at the corner and watched the building for a long time.
“You could open your own shop,” Pierre said, coming up beside her. He’d taken to following her on her walks, not guarding her exactly, but hovering—a father trying to make up for years of absence with days of presence. “Somewhere on the Right Bank. A shop for the living, not the condemned.”
“I don’t know if I remember how to sew for the living,” she said quietly.
“It’s like riding a horse,” Pierre said with a hint of his old humor. “You never forget. The horse might throw you, but you get back on.”
Lise laughed despite herself. “Your metaphors are terrible.”
“They’re the only kind I have.” He offered her his arm, and after a moment’s hesitation, she took it. They walked in silence for a while, father and daughter, through streets that had seen too much and were determined to see better.
Finally, Pierre spoke. “There’s something I need to tell you.”
Lise glanced at him. His face was drawn, serious in a way she hadn’t seen since the tribunal. “What is it?”
He stopped walking, turning to face her fully. The crowd flowed around them, oblivious. “About your mother. About the portrait I used to keep—the woman you never met.”
Lise’s breath caught. The portrait had been one of the few things he’d carried with him after her mother’s death—a miniature he’d kept hidden in his coat even through his imprisonment. She’d caught glimpses of it over the years, always just out of reach.
“What about it?”
Pierre’s eyes searched hers, and there was something raw in them, something that had been waiting a long time to be spoken. “I haven’t been entirely honest with you. About who I was, about what I did before you were born.” He swallowed. “The woman in that portrait was not your mother. She was someone else. Someone I loved during the war.”
Lise felt the letter against her chest, a paper ghost pressing close to her heart. She thought of secrets and lies and the weight of them, how they shaped a life without permission.
“Tell me,” she said, and her voice was steady. “Tell me everything.”
He did.
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